englischHistorical narrative was one of the most prominent narrative forms in the 19th century. But it was always also future-oriented. In this volume, this flipside of addressing the past is examined from a historical and systematic perspective using the following guiding questions: How can [...]
more informationenglischThe study ‘›Haltung‹ und Realismus. Zur Theorie poetischer Verallgemeinerung’ investigates the political implications of the concept of form in the context of the (post-)Marxist debate on literary realism between Georg Lukács, Bertolt Brecht, Walter Benjamin, Theodor W. Adorno and Alexander [...]
more informationenglischPossibility thinking and experimentation in literature have a long tradition—yet their current significance in literary studies research on the relationship between experimentation and literature has been discussed only hesitantly to date. By means of a comparison of different concepts of [...]
more informationenglischThe paradigm of disturbance is a powerful and, to date, unexplored mode of literary modernism. Through individual analyses of selected German-language prose from the Romantic period to the present (Tieck, Droste-Hülshoff, Büchner, Kafka, Aichinger, Kracht, and others), this study examines [...]
more informationenglischHölderlin’s reflections on form can be grasped with the concept of the ›principle of form‹, which transforms a fragment into a productive concept with reference to the ›logic of being produced‹ (Adorno). The tragic fragment, as a principle of form, divides tragedy and the tragic. In order to [...]
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