englischWritten using the figures of Orpheus and Medusa as symbols, this book highlights contrasting theories on the poetry of Italian opera over three centuries. In addition to theoretical texts, it examines above all the poetic qualities of librettos, plus the music and singing techniques of [...]
more information
englischThis two-volume monograph entitled “Maskenspiel und Seelensprache” (Masquerade and the Language of the Soul) addresses the tension between Robert Schumann’s aesthetics of music and Heinrich Heine’s post-Romantic aesthetics of poetry. In volume 1, Ingo Müller examines both the relationship [...]
more information
englischThis two-volume monograph entitled “Maskenspiel und Seelensprache” (Masquerade and the Language of the Soul) addresses the tension between Robert Schumann’s aesthetics of music and Heinrich Heine’s post-Romantic aesthetics of poetry. In volume 1, Ingo Müller examines both the relationship [...]
more information
englischThis two-volume monograph entitled “Maskenspiel und Seelensprache” (Masquerade and the Language of the Soul) addresses the tension between Robert Schumann’s aesthetics of music and Heinrich Heine’s post-Romantic aesthetics of poetry. In volume 1, Ingo Müller examines both the relationship [...]
more information
englischThis book focuses on interpreting three poems from different creative periods in Eduard Mörike’s life: Sehnsucht (Longing), Bildniß der Geliebten (The Portrait of the Beloved) and Erinna an Sappho (Erinna to Sappho). His adaptations of ancient pagan and biblical texts, which have been [...]
more information
englischAround 1900, landscape experienced a boom in a variety of cultural discourses. But what part did landscape play for literature of that period? In this study, Agnes Hoffmann reconstructs its relevance for literary modernism, focusing on the prose work of Henry James and Hugo von Hofmannsthal. [...]
more information
englischThis book focuses on interpreting three poems from different creative periods in Eduard Mörike’s life: Sehnsucht (Longing), Bildniß der Geliebten (The Portrait of the Beloved) and Erinna an Sappho (Erinna to Sappho). His adaptations of ancient pagan and biblical texts, which have been [...]
more information
Die in diesem Buch skizzierte Theorie der Literatur setzt bei einem gewissen Unbehagen an der Literaturwissenschaft der Gegenwart an: Kulturwissenschaftliche Ansprüche der Allzuständigkeit bringen sie um ihr disziplinäres Profil, und eine Proliferation von Theorien, deren Zusammenhang nicht zu [...]
more information
englischThis two-volume monograph entitled “Maskenspiel und Seelensprache” (Masquerade and the Language of the Soul) addresses the tension between Robert Schumann’s aesthetics of music and Heinrich Heine’s post-Romantic aesthetics of poetry. In volume 1, Ingo Müller examines both the relationship [...]
more information
englischThis two-volume monograph entitled “Maskenspiel und Seelensprache” (Masquerade and the Language of the Soul) addresses the tension between Robert Schumann’s aesthetics of music and Heinrich Heine’s post-Romantic aesthetics of poetry. In volume 1, Ingo Müller examines both the relationship [...]
more information
