Architectuur choreograferen / Choreografie architecturen

This study addresses Radouan Mriziga’s solo 55 to analyse the way in which architecture and choreography are interwoven. Interweaving functions as its main method rather than totalisation, as it allows for change, difference and non-hierarchy. Starting from an aesthetic analysis of lines, circles and squares and the body that draws them, the book gravitates towards questions of politics and ecology. From here, a human figure emerges that is able to move from one place to another, without catastrophe, and is able to listen humbly and act responsibly towards architecture, thus resisting it. The result is an intricate and poetic journey where choreography, architecture and philosophy come together in the affirmative.