Erstreckung der künstlerischen Leistungsschutzrechte und Umsetzung der Schutzdauer-Richtlinie 2011/77/EU in nationales Recht
Zur Auslegung des Art. 3 Abs. 1 und Abs. 2 der Schutzdauerrichtlinie 2006/116/EG in der durch die Richtlinie 2011/77/EU geänderten Fassung
Nomos, 1. Edition 2015, 375 Pages
The product is part of the series
UFITA-Schriftenreihe des Archivs für Medienrecht und Medienwissenschaft
Description
The Directive 2011/77/EC requires the member states to extend the length of the copyright term in sound recording and performers' rights in sound recordings from 50 to 70 years. The author discusses the transposition of the Directive into national German law, including the specific provisions for performers and for record producers.
The author analyses the various terms of Art. 3 Directive 2006/116/EC, which was last amended by Directive 2011/77/EC and their implementation to national German law. The work focuses on the duration of the exploitation rights; in this context, the discrimination of performers, whose performance was not first fixed in a sound recording, will be discussed. The examination of the Directive and its transposition is based on German Copyright Law, a number of copyright legal directives and international treaties, such as the WPPT, the Rome Convention and the WIPO Treaty On Audiovisual Performances (BTAP).
The author analyses the various terms of Art. 3 Directive 2006/116/EC, which was last amended by Directive 2011/77/EC and their implementation to national German law. The work focuses on the duration of the exploitation rights; in this context, the discrimination of performers, whose performance was not first fixed in a sound recording, will be discussed. The examination of the Directive and its transposition is based on German Copyright Law, a number of copyright legal directives and international treaties, such as the WPPT, the Rome Convention and the WIPO Treaty On Audiovisual Performances (BTAP).
Bibliographical data
Edition | 1 |
---|---|
ISBN | 978-3-8487-1804-7 |
Subtitle | Zur Auslegung des Art. 3 Abs. 1 und Abs. 2 der Schutzdauerrichtlinie 2006/116/EG in der durch die Richtlinie 2011/77/EU geänderten Fassung |
Publication Date | May 18, 2015 |
Year of Publication | 2015 |
Publisher | Nomos |
Format | Softcover |
Language | deutsch |
Pages | 375 |
Medium | Book |
Product Type | Scientific literature |
Reviews
»Wer die gegenwärtige rechtspolitische und dogmatische Diskussion über die Leistungsschutzrechte der ausübenden Künstler und Tonträgerhersteller verfolgen will, sollte an dieser Publikation nicht vorübergehen. Sie gibt einen tiefen Einblick in die Defizite des Schutzes der ausübenden Künstler.«
Prof. em. Dr. Artur Wandtke, UFITA 2015, 917
Prof. em. Dr. Artur Wandtke, UFITA 2015, 917
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