Interrupting the Machine
Theatre as a Site of Dis-Automation in the Age of AI
Tectum, 1. Edition 2025, 102 Pages
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Description
Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing “dis-automation dramaturgy.” Through a detailed phenomenological and intermedial study of Forced Entertainment’s Signal to Noise, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions – moments of reflection and reoriented sensibility – in the algorithmic flow.
Saul Kemack is a writer, researcher, and dramaturg based in South Africa.
Saul Kemack is a writer, researcher, and dramaturg based in South Africa.
Bibliographical data
| Edition | 1 |
|---|---|
| ISBN | 978-3-68900-523-8 |
| Subtitle | Theatre as a Site of Dis-Automation in the Age of AI |
| Addition to subtitle | With a foreword by Prof. Dr. Kati Röttger |
| Publication Date | Dec 18, 2025 |
| Year of Publication | 2025 |
| Publisher | Tectum |
| Format | Softcover |
| Languages | englisch |
| Pages | 102 |
| Medium | Book |
| Product Type | Scientific literature |
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