Notenschrift bei Wittgenstein als Illustration der Aspektwahrnehmung

This book opens new perspectives on Wittgenstein’s musical aesthetics and philosophy of language by analyzing, for the first time, six musical notations from his Nachlass (1932–1934). It shows how Wittgenstein used notation to illustrate aspect perception and to create musical “puzzle images.” Philological, philosophical, and musicological methods reveal the ambiguity of notation and contextualize it with Adorno and Bruckner. Readers gain a deeper understanding of the interplay between language, music, and expression. The author works in the fields of Digital Humanities, musical aesthetics, and philosophical editorial practice.