Phänomenologie des Schauspielens

Phenomenological trains of thought are very popular in contemporary theater aesthetics and theater research. In this context, the change of perspective described in the theoretical debate as ‘performativity’ is primarily treated from the perspective of the aesthetics of reception. The aspect of production aesthetics has thus far almost been completely omitted and a phenomenologically inspired acting theory or a corresponding training method is indeed sought in vain. The study attempts to close this gap and therefore marks a significant desideratum in theater studies.