Spielräume sensibilisierten Lebens

How is it possible to passionately belong to a world that is constantly struggling for its existence? What registers of perception and expression are available if the real livability of our lives in a world that should deserve its name, especially in political terms, is always at stake? These questions are considered here, starting from appropriately sensitized forms of life and extending to the registers of music, theater and painting. These registers can only be used by a life that takes place 'in passing' and to which no one ever belongs unconditionally and completely. This is precisely why it can prove to be extraordinarily sensitized.