Die Entwicklung der musikalischen Sprache in Wolfgang Rihms Klavierliedern
„Alles ist innig“
Tectum, 1. Edition 2025, 566 Pages
The product is part of the series
Dresdner Schriften zur Musik
New
Description
The author analyses numerous songs in order to examine the characteristics of Wolfgang Rihm's language and to present lines of development.
He begins by tracing the path from the models of the Second Viennese School to Rihm's own language, focusing on individual musical and linguistic building blocks, detached from the totality of a song or cycle. This is followed by a presentation of Rihm's choice of texts, his preferred authors and themes. The development of the treatment of language and the creation of melody in the vocal line is examined. Finally, the results are supported by further analyses, which reveal the significance of the music-historical tradition for Rihm's work.
He begins by tracing the path from the models of the Second Viennese School to Rihm's own language, focusing on individual musical and linguistic building blocks, detached from the totality of a song or cycle. This is followed by a presentation of Rihm's choice of texts, his preferred authors and themes. The development of the treatment of language and the creation of melody in the vocal line is examined. Finally, the results are supported by further analyses, which reveal the significance of the music-historical tradition for Rihm's work.
Bibliographical data
| Edition | 1 |
|---|---|
| ISBN | 978-3-68900-267-1 |
| Subtitle | „Alles ist innig“ |
| Publication Date | Mar 31, 2025 |
| Year of Publication | 2025 |
| Publisher | Tectum |
| Format | Hardcover |
| Language | deutsch |
| Pages | 566 |
| Medium | Book |
| Product Type | Scientific literature |
Additional material
Product safety information
Manufacturer of products offered under GPSR
Nomos Verlagsgesellschaft mbH & Co. KG
Waldseestraße 3 - 5
76530 Baden-Baden, Germany
service@nomos.de
www.nomos.de
We found other products you might like!
